Have you ever had a speaker that produces a very cool dry tone?
However, the overload tone is not competitive, is not ideal?
Do you want to add some real tube sounds to your analog speakers or digital audio workstations?
The distortion pedal can help you make a lot of magical effects!
We collected 5 distortion pedals, their structural design is very strong, and the texture is very good.
Best Distortion Pedal Reviews In 2019:
The TC Electronic Dark Matter has the flexibility to be a switch between gain and level that will shape the pedal’s sound for a more modern or retro sound.
Although one of the finest pedals, you can still get a healthy range of available tones from this cheap unit.
And its standby is better.
Having said that, it comes with four knobs: Gain, Level, Bass and Treble. The tone knob is effective for maximum effect.
The distortion on this pedal is somewhat similar to a tube amplifier because its characteristics change as your crank gain knob changes.
There is also a voice switch, basically a middle shift, bass and treble are standard pitch converters.
In short, this most cost-effective pedal, dark matter and its simple layout is a good starting point for guitarists to learn how to create good tones.
The Bogner Uberschall Distortion pedal is really an amplifier in a single block format.
What is particularly impressive about this pedal is its clarity at higher gain settings.
Then you can use the built-in 3-band equalizer to shape your tone.
And it is built on the design of the actual Uberschall amplifier, using discrete Class A gain stages as close as possible to the Uberschall amplifier.
Like the amplifier it is based on, this distortion pedal is ideal for high gain tones.
Finally, the pedal has a foot switch that automatically adjusts the volume, making it ideal for mixing cut leads.
If you are a metal fan, or you are looking for an advanced distortion pedal, then Bogner Uberschall Distortion is well worth buying.
Xotic Effects SL Drive is cleverly packaged, and the crank Plexi tone doesn’t have all the bulk and noise.
The obvious controls for this pedal are Drive, Tone and Volume.
And there are four switches that allow you to choose between three super-lead configurations – default, high/medium cut, high boost – and subwoofer settings.
In addition to the external tone, driver and volume knob, there is an additional toggle switch inside to further adjust the sound shape.
The volume as a decorative can is also an interesting choice.
And in order to make this sound monster its micro miracle, Xotic uses a built-in DIP switch to complete the control device.
Its retro look, to be honest, it does look a bit strange.
Despite this, its compact size is indeed a quality product.
Pro Co RAT2 Distortion Pedal is a reissue of the legendary RAT distortion pedal more than 30 years ago.
It is a wonderful reflection of the original.
Pro Co’s RAT distortion pedal has earned a legendary status for its unique drive sound and is the standard for measuring other distortion pedals.
For the design, the thick box is used to endure a lot of use, so even if you play every night, this pedal can meet the challenge.
Speaking of the night, the glowing control graphics in the dark help you identify in the dark.
And the middle dial – “filter” – is also a very succinct add-on that lets you cut out some higher frequencies.
In addition, it is neatly placed in the gap between the overdrives, the gap is not aggressive enough, and the distortion is a bit too much.
Although it is not the standard shape of most small pedals, the RAT2 can still be installed in the same space occupied by other pedals.
Finally, it can also make a truly controlled compression rhythm guitar.
One of the most versatile pedals, this MXR product offers everything from extremely light overload to screaming.
You can get no less than five separate knobs on Super Badass, allowing you to change the output and distortion, as well as bass, midrange and treble.
It needs to be mentioned that it is powerful and has a flexible 3-band equalizer.
Plus three-quarters of the distortion knobs produce a thick, thick roar that meets most types of rock musicians.
And the low gain setting is very practical.
Overall, the overall quality is very good, from the full analog components inside to the ultra-sturdy outer casing, which looks very cool on almost shiny surfaces.